O ODIO 1995 FULL
They deliver dialogs full of slang, coarse lines and sometimes they're inaudible so you'll have to be very attentive to catch what they say. It was the right method to confer his film with an authentic feeling. It seems that Kassovitz fostered improvisation. The actors were discerningly chosen and perfectly directed.
![o odio 1995 o odio 1995](https://m.media-amazon.com/images/I/81A1pfNLjDL._SL1225_.jpg)
Check the two sequences when in the first one, a policeman tries to make the riffraff understand in a sensible manner that they can't stay on the roof of a building and the second sequence when Vinz, Hubert and Saïd are in Paris and they ask their way to a policeman who guides them in a polite way. In a way, the attitude of the police helps to fuel the hate and to separate farther the gap and the incomprehension between the inhabitants of these suburbs and the police. When they learned this, the toughest guys of these suburbs sparked off a riot. In the beginning of the film, the audience learns that a suspect, Abdel is in a coma at hospital because he was badly injured by the cops during questioning. This hate in question which the inhabitants of these suburbs feel towards the cops is also smoldered in the cops and I wonder if Kassovitz indicts their sometimes intolerable demeanor, especially when some ruffians are kept in police custody. Overrall, his film is a hard-hitting assessment of a faltering universe (the high-risk suburbs) in which latent tensions and hate reign and it can awake at any time in violence. It also helps to enhance the scenery which is perhaps the fourth main actor of the film after the trio. His camera work which commands admiration makes juxtapose travelings, static shots and circular movements according to the vibe a sequence could convey. It was a good idea to have shot his film in a black and white cinematography because it bestows it with a very gritty aura sometimes there's a documentary whiff which pervades the film. Kassovitz did his best to create a stylish film and it paid off well. A day which will lead to the inevitable, marked out by the time which often appears on a black screen. An ordinary day during which the trio appears as prisoners of their suburbs and have a life with no horizon. The three of them wander in their neighborhood and in Paris between visiting of friends, relationships with the riffraff, the police, arguments, reconciliations and foolish things. And also Saïd (Saïd Thagmaouï), a brazen teenager. It's both the catalyst of the riots and adds fuel to the fire in the incessant conflicts. Hubert (Hubert Koundé) a pacifist who craves to get out of this daily hell but where to go? He also knows that hate breeds hate. When he is asked to make an effort of reflection, he loses his temper.
![o odio 1995 o odio 1995](https://image.tmdb.org/t/p/w500/oBZVSHyCkKCoUnU3cTGNKOmpAyD.jpg)
He is proud of having stolen the gun of a cop and hopes to make good use of it. There's Vinz (Vincent Cassel) who acts the tough guy. In the space of a day, his camera follows a threesome of ruffians.
O ODIO 1995 MOVIE
This gives his movie an ultra-realist sensation which rings true. To better be immersed in his plan, Kassovitz shot his film in one of these high-risk French suburbs (I can't remember its name but you can check it in the "filming locations" rubric when you arrive on the page of the film on this site). I haven't seen "Gothika" (2003) but he shot it with the Hollywood presence on his back and I fear the worst. "Assassin(s)" (1997) left me uncomfortable and queasy and "les Rivières Pourpres" (2000) was an absolute turkey. Afterwards, he didn't cease to disappoint me. "La Haine" remains Mathieu Kassovitz's best moment. It heralded a genre: the "film De Banlieue" whose backdrop is high-risk French suburbs and in its wake, other movies emerged like "Bye-Bye" (1995) or "ma 6-T Va Crack-Er" (1997).
![o odio 1995 o odio 1995](https://m.media-amazon.com/images/I/510505q19ZL.jpg)
"La Haine", probably one of the most momentous French movies of the nineties caused a stir when it opened in 1995 so much so that it became a big social phenomenon.